Peter Marren. Rainbow Dust: Three Centuries of Butterfly Delight. University of Chicago Press. 2016.
This was subtitled “Three Centuries of Delight in British Butterflies,” when it was first published in the UK in 2014. The Chicago edition has a preface for American readers, making some comparisons between the American and European faunas. He briefly mentions the great American collectors of the nineteenth century (see my post from February 2015) and introduces his favorite butterfly lover, Vladimir Nabokov, to whom he will return throughout.
Marren begins with personal recollection and reflection on his early days as a butterfly collector: the joys of pursuit and capture, the thrill of discovering a new species to add to his collection and the less easily expressed delight of simply being alive and out in a world inhabited by beautiful, delicate beings.
In discussing this aesthetic joy and recounting the history of the long fascination that butterflies have exerted on the minds of human beings, Marren does a great job of presenting the collectors, artists and writers who left behind a record of their pursuits. Among those he most admires are the Rothschilds, who have probably done more for entomology than any of the other great families of England. Nine different members are listed in his index. His account of the lives and works of the many notable painters and engravers of butterflies, from the late Renaissance to the 21st century, reminds us of the enormous labor involved and the many disappointments and financial failures that dogged their efforts. It is very helpful to have a computer or tablet handy while reading this chapter, so you can search out examples of work by Moses Harris (see example above) Henry Noel Humphries, F.W. Frohawk, Richard Lewington and David Measures. The book itself has only monochrome illustrations of butterflies in the chapter headings.
I was rather less taken by Marren’s attempt to write a literary, cultural and psychological history of the passion for butterflies. The familiar identification of the soul (psyche) with a butterfly and the various ways butterflies appear in poetry do not seem to add up to much in terms of understanding human responses to the natural world. Nor do his forays into mythology make compelling reading for me. His accounts of the people who established our understanding of the lives of butterflies are much more interesting. The tribulations of women who shared the passion are especially telling: from Lady Glanville whose interest in butterflies was grounds for suspecting her sanity and thus contesting her will, to her successors in the eighteenth and especially the nineteenth century, who contributed much to entomology, despite a “men only” attitude among most organizations and institutions.
One of the best features of this book is Marren’s fascination with the names that people have given to butterflies over the centuries and in different parts of the world. Here, I think his cultural reflections are on firmer ground. Besides, the names are just amazing and fun to wonder about. Why is a beautiful flying insect called a red admiral or a golden hog? He also comments on how names and naming conventions have changed over the centuries. Luckily, we have the Linnean system to impose a more or less uniform system so serious students can keep things straight.
Marren also does a fine job of describing the butterflies themselves and their habitats all across England and Scotland. He talks about the plants they rely on and the plant communities they inhabit, with much attention to how changing ecology, driven by modernizing agriculture and the rise of suburbs, have affected species, some for the better, but more for the worse. His 12th chapter on butterfly monitoring and preservation efforts is one of the best reflections on the dilemmas of trying to maintain and protect natural habitats that I have read in a popular work.
Marren chronicles the decline of butterfly collecting as a hobby and even as a scientific endeavor in Great Britain. More and more areas prohibit collecting, and more and more of the public is openly hostile to the idea of killing and preserving butterflies. Marren’s own collection from his youth in the 1950’s and 60’s was accepted by the Natural History Museum, because well-documented specimens from the latter part of the 20th century are scarce and valuable records of the state of the fauna, which help scientists today understand how things have changed. The anti-collecting bias of many current environmentalists and natural history enthusiasts is understandable, given the decline of so many species, but largely misguided, at least if they care as they claim to, about protecting these natural wonders. We need more solid documentation, not less, for butterfly populations, and although photographs and even unvouchered reports can be helpful, serious conservation needs specimens to verify what it is that is there and to enable us to trace the shifting makeup of populations. As Marren makes clear in his chapter on efforts to save England’s butterflies, simply trying to freeze things in place is a sure route to failure. Too many organizations and agencies, at least here in my home state, still seem to think that way, though.